Anya Yermakova is a composer, sound artist, and a historian/philosopher of logic. In her body-centric methods, she employs acousmatic material, archival traces, and performance research, with the aim of enlivening the non-binary constructs beneath//above the forceful binarism in the world today. She holds a PhD from the departments of History of Science and of Critical Media Practice at Harvard, was previously a Visiting Assistant Professor of Sound at Oberlin College, an Artist-in-residence with the Ocean Memory Project, and is currently a postdoctoral fellow at the Center for Humanities at Washington University in St Louis.
No contact, inquiry, or curiosity is too random – please reach out!
